Sext: Balance on account ending *** on 08 Feb is £XXXX.XX. Now playing: Cochon Ville by Sébastien Tellier. I look up. Overcast. A hand hooked into place by its thumb at the waist. 100 grammes de —————, s’il vous plaït. Life after sundown. No screen burn, but adjusting to night vision. Ouais. The scene is Paris, but the background is the paradise of the Moroccan countryside. I start whistling. The only thing warm is the blood in our veins. So I think of warm days as a getaway. I hear Hocquenghem laugh. What the young gay man says to the Arab is still an avowal of guilt: “The bourgeoisie exploits you … so fuck me!” Whistling. Put me on the floor, push me against the door, bang me through the wall—this is rough trade. This is rough trade. This is rough trade. Deeper underground. Confusion is a luxury which only the very, very young can possibly afford and you are not that young anymore. Street level. I don’t know what you’re talking about. Let’s have another drink. Now: running to the Farmiloe Building. Fantastic men in plastic masques. But isn’t this always the case? Look 23. I sketch the double-breasted jacket placed over the silk robe for no reason. GUEST. Then: smoked Loch Etive trout with a fennel and mixed radish salad. Before this: I’m on my knees somewhere. I see a critic, an actor and a businessman. PLUS ONE. Oliver Sim. I remember the last time: words exchanged en route to Rescue Rooms. I look up. Overcast. A hand lifted to touch lips. I spoke to a girl and a boy—at length—about strangling good guys, death in 1955 &c. My dictaphone did not switch on. I was left with her red lips and his black eyes. I went home with a friend. We used to do everything together. He paid. I think he does something that requires him to wear a suit. Tim Blanks. A director at the Tate. Other faces. (Not like mine). But I want to avoid him. What time is it? I remember: she enters a bar at The Savoy. Faces distort and melt around her. She leaves immediately. I didn’t. Well, I couldn’t. Not now. What else is there? A drink. Conversation. Now: walking under sodium-vapour. Whistling. Can you sing that? What? What you’re whistling. I mean, what is it? Well, I can’t sing because I’m having difficulty speaking. You seem lucid. OK. If we go out tonight, with that blood on your shirt, would it taste like a brand new shirt? ‘Cause I don’t know. Can you teach me how to fight? OK. So. That’s the song? Yes. Why that song? It came to me. How can a s/h/i/r/t/t/a/s/t/e/his shirt was still crisp as he came through the door. His hair was still in place except for one strand. His hand was held in a soft fist. His index finger pointing to the floor. Drip drop drip drop drop drop drop. The cuffs were bloody. The face was smudged. Streaks of rose madder and amaranth where he was struck. He moves forwards. I’m stupid. I k/n/o/w/./I/t/’/s stupid. I know. They are just lyrics. I look up. Prorsum? What? Is it? Yeah. Overcast. You look good. Isn’t it Latin or something? Hands swing and the knuckles touch. Yeah. It is.

